Christina has always been my biggest believer, supporter and collaborator. And Gray is a constant inspiration. The tone of the album reflects that, and also calls back to a time in my life of curious freedom and absolute content.
Soft colors, sprinkled through a valley of gray nature. From the tinges of southern rock mostly tucked behind a hazy neo-folk sound. He’s opened a window to modernity for the sake of relevancy and creativity, and that spark is now fire. Matt’s currently touring the East Tennessee area in support of Take Me Home.
A lovely cerebral indie flick, the kind with long shots, pondering moments that witnesses the characters self-doubt, or profound discovery.
Classic road trip folk music gets you reminiscing of home, the long path to find yourself, can you get back there now? You’ll be shuttering the camera to capture all the things you might not ever see again.
You come across songs like the one’s on Moose Afternoons page, and the smile shines, beams through to negate all the doubt because of its tonality, the kind that lets you release the chains of fear. Now we embark on Life, while accepting what sucks about it, and turning it into a tolerable bridge
Sometimes pop music just needs to be classic in the sense it makes you happy, and shuffles those endorphins up and up around the home front. These things are not easy to do, especially while maintaining some semblance of integrity to the craft without spilling over into redundancy.
These are the folks that took me out of my own creations, and allowed me to just be a fan of music again, something I honestly misplaced and the reason I do this site. So cheers to all of you for making this last year fun for us, we appreciate it.
Joel’s inspiration for making these tunes comes from the heart. His Father released a Gospel album as well, when he was about the same age. A cool story indeed, which fits perfeclty with the purity and tone of these songs.